Kamis, 31 Maret 2011

Stephen Reid - The Wife of Bath's Tale




oil on canvas
84 x 17"

Mary Cassatt - Mother and Child

Eloise Harriet Stannard - Black Grapes ...



Black grapes, peaches, greengages and whitecurrants beside an ornamental gilded tankard with bacchanalian decoration

oil on canvas
15 1/8 x 18"

Ada Margetts - Grapes ...




Grapes, tonatoes, peaches, a pineapple, a chilli, flower pots and a wicker basket and mat, on a marble ledge

oil on canvas
21.5 x 33"

Great Exhibition online catalogue 1851



Some very good original illustrations: http://special.lib.gla.ac.uk/teach/century/paris.html#51images

Samuel Austin - St John's Market, Liverpool, 1827


Sabtu, 26 Maret 2011

William Henry Knight - The Young Artist 1861


Edmund Bristow - The Turk’s Head Inn, Eton 1845


Thomas Smythe - Beach Scene with Figures by a Jetty


Frank Holl - Newgate - Committed for Trial




http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=267&page=1
http://en.wikipedia.org/wiki/Frank_Holl
http://www.spartacus.schoolnet.co.uk/Jholl.htm


Holloway collection.

oil on canvas
60 x 83"
painted 1878

The painting made Holl's reputation when it was exhibted at the RA in the same year and he was subsequently elected an ARA. Holl visited Newgate and the Governor became a friend. The section painted was called the Cage where prisoners on trial were allowed at certain times to see their friends. Holl wrote it moved him to see prisoners of all sorts awaiting the results of their trials.

Holl himself died of heart disease at the early age of 43.
In the same year as this painting, 1878, he began painting portraits which mt with a lot of success. He painted many famous people such as the Price of Wales, Gladstone etc. His range of subjects is impressive.

Ventnor Pier


The Victorians: Britain Through the Paintings of the Age by Jeremy Paxman

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/non-fiction/article5662284.ece


Interview with Jeremy Paxman

http://news.bbc.co.uk/1/hi/entertainment/arts_and_culture/7889617.stm

Reviews by A N Wilson

http://www.guardian.co.uk/books/2009/feb/22/history-victorian-artists-jeremy-paxman

http://www.independent.co.uk/opinion/commentators/a-n-wilson-the-victorians-grand-designs-were-the-work-of-shameless-monsters-1622334.html

BBC Shop - DVD

http://www.bbcshop.com/history/the-victorians-dvd/invt/bbcdvd3006/

Rabu, 23 Maret 2011

Frank Moss Bennett - The Kings Arms, Ombersley, Worcestershire



1946
oil on canvas
25 x 30"

http://www.haynesfineart.com/artists/frank-moss-bennett-uk.htm

Henry Gillard Glindoni - A Fortune in a Tea Cup





oil on panel
17 x 22"

Mary Cassatt -- Simone in a White Bonnet




c. 1903


http://en.wikipedia.org/wiki/Mary_Cassatt
http://www.marycassatt.org/

A restrike etching




When an etching has been made, prints are made from the metal block. Very often these are not numbered. However, for collectors' items there is often a fixed number, say 200, and the individual copies are numbered, very often in the form 1/200, and so forth. Sometimes the block is then destroyed and cannot be used again.
Sometimes, however, the block is kept and used again. If this happens there should be a clear indication that the 'print run' is that of a re-use or to use the technical term, a re-strike. One common way of doing this is to use Roman numerals for the re-strike.



Read more: http://wiki.answers.com/Q/What_is_a_restrike_etching#ixzz1HAMaanow

Non-navvy drink seller, Manchester Ship Canal


Selasa, 22 Maret 2011

Thomas B. Seddon - Boats on the Nile



Watercolour, 14 x 7.5 inches (35.56 cm x 19.05 cm). Private collection, Canada. This watercolour appears to be a sketch painted on site that Thomas Seddon likely used to paint the oil-on-canvas painting titled View on the Nile.

http://www.victorianweb.org/painting/seddon/index.html

John Frederick Lewis - The Street and Mosque of the Ghoreeyah, Cairo




Watercolour and oil on paper, 29 3/4 x 40 1/2 inches. Forbes Magazine Collection

Visions of the harem
Of all the British artists who went east in the 19th century, for Ahdaf Soueif, only John Frederick Lewis looked beyond colonial stereotypes to capture its true spirit. Cairo gave him the colours, light and architecture to become a great painter.
includes gallery
http://www.guardian.co.uk/books/2008/jul/05/art.exhibition

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